The main reason Alex got into rap music was becausehe wanted a challenge.his brother played rap music.he really liked it from a young age.20What did other people think of Alex when he first started?They were surprised to see someone from their area.They thought he wouldn't be any good.They wanted to make things difficult for him.21What do audiences seem to like most about Alex's music?the fact that he writes his own musicthe fact that he talks about real lifethe fact that he's energetic22What point does Alex make about the way he writes songs?He likes to use difficult words.He likes changing the meaning of words.He likes to say words in different ways.

Read the passage.Rap Goes MainstreamOne night in 1979, singer and record producer Sylvia Robinson encountered a new performance style while visiting a nightclub in Harlem, a neighborhood in New York City. The DJ was rapping—talking in rhyme as he spun his records. The technique had its roots in a performance style called toasting, brought to the city by Jamaican immigrants, in which DJs talked to the audience during instrumental portions of recorded songs. That night in Harlem, as her record label teetered on the brink of bankruptcy, Robinson was inspired to think outside the box; after all, she needed a hit. Could rap become a commercial success? Believing it was worth a try, Robinson assembled a group called the Sugarhill Gang and produced "Rapper's Delight," the first commercial rap single. As Robinson had hoped, it was a smashing success, launching rap into the mainstream.What is the main, or central, idea of the passage?Sylvia Robinson hoped to produce a successful rap hit in order to save her music label from bankruptcy.An innovative performance and financial need led Sylvia Robinson to produce the first commercial rap single.A performance style called toasting, introduced to the U.S. by Jamaican immigrants, influenced the creation of modern rap.Save answer

Rap Goes MainstreamOne night in 1979, singer and record producer Sylvia Robinson encountered a new performance style while visiting a nightclub in Harlem, a neighborhood in New York City. The DJ was rapping—talking in rhyme as he spun his records. The technique had its roots in a performance style called toasting, brought to the city by Jamaican immigrants, in which DJs talked to the audience during instrumental portions of recorded songs. That night in Harlem, as her record label teetered on the brink of bankruptcy, Robinson was inspired to think outside the box; after all, she needed a hit. Could rap become a commercial success? Believing it was worth a try, Robinson assembled a group called the Sugarhill Gang and produced "Rapper's Delight," the first commercial rap single. As Robinson had hoped, it was a smashing success, launching rap into the mainstream.What is the main, or central, idea of the passage?An innovative performance and financial need led Sylvia Robinson to produce the first commercial rap single.A performance style called toasting, introduced to the U.S. by Jamaican immigrants, influenced the creation of modern rap.Sylvia Robinson hoped to produce a successful rap hit in order to save her music label from bankruptcy.Submit

Which theorist’s conception of music scenes is reflected in the statement below:Emo-rap is a genre that stemmed from the SoundCloud rap scene. For some fans, the thrill of the genre is in seeing rappers like the Kid Laroi and Yung Lean perform live and connecting with other enthusiastic fans at live concerts. For other fans, the consumption and connection with the genre occurs in online spaces only. Group of answer choicesBennett and NikulinskyPeterson and BennettIrwinPurchla

Fill in the Blank QuestionFill in the blank question.The technique called had far-reaching effects on the development of rap music in the 1970s and 1980s.

The main, or central, idea of the passage is An innovative performance and financial need led Sylvia Robinson to produce the first commercial rap single. How does the detail in bold develop the main idea?One night in 1979, singer and record producer Sylvia Robinson encountered a new performance style while visiting a nightclub in Harlem, a neighborhood in New York City. The DJ was rapping—talking in rhyme as he spun his records. The technique had its roots in a performance style called toasting, brought to the city by Jamaican immigrants, in which DJs talked to the audience during instrumental portions of recorded songs. That night in Harlem, as her record label teetered on the brink of bankruptcy, Robinson was inspired to think outside the box; after all, she needed a hit. Could rap become a commercial success? Believing it was worth a try, Robinson assembled a group called the Sugarhill Gang and produced "Rapper's Delight," the first commercial rap single. As Robinson had hoped, it was a smashing success, launching rap into the mainstream.It explains why Robinson was open to taking a risk on rap.It highlights the initial public perception of rap.It identifies the source of financial challenges Robinson was facing.Submit