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Read the passage.Rap Goes MainstreamOne night in 1979, singer and record producer Sylvia Robinson encountered a new performance style while visiting a nightclub in Harlem, a neighborhood in New York City. The DJ was rapping—talking in rhyme as he spun his records. The technique had its roots in a performance style called toasting, brought to the city by Jamaican immigrants, in which DJs talked to the audience during instrumental portions of recorded songs. That night in Harlem, as her record label teetered on the brink of bankruptcy, Robinson was inspired to think outside the box; after all, she needed a hit. Could rap become a commercial success? Believing it was worth a try, Robinson assembled a group called the Sugarhill Gang and produced "Rapper's Delight," the first commercial rap single. As Robinson had hoped, it was a smashing success, launching rap into the mainstream.What is the main, or central, idea of the passage?Sylvia Robinson hoped to produce a successful rap hit in order to save her music label from bankruptcy.An innovative performance and financial need led Sylvia Robinson to produce the first commercial rap single.A performance style called toasting, introduced to the U.S. by Jamaican immigrants, influenced the creation of modern rap.Save answer

Question

Read the passage.Rap Goes MainstreamOne night in 1979, singer and record producer Sylvia Robinson encountered a new performance style while visiting a nightclub in Harlem, a neighborhood in New York City. The DJ was rapping—talking in rhyme as he spun his records. The technique had its roots in a performance style called toasting, brought to the city by Jamaican immigrants, in which DJs talked to the audience during instrumental portions of recorded songs. That night in Harlem, as her record label teetered on the brink of bankruptcy, Robinson was inspired to think outside the box; after all, she needed a hit. Could rap become a commercial success? Believing it was worth a try, Robinson assembled a group called the Sugarhill Gang and produced "Rapper's Delight," the first commercial rap single. As Robinson had hoped, it was a smashing success, launching rap into the mainstream.What is the main, or central, idea of the passage?Sylvia Robinson hoped to produce a successful rap hit in order to save her music label from bankruptcy.An innovative performance and financial need led Sylvia Robinson to produce the first commercial rap single.A performance style called toasting, introduced to the U.S. by Jamaican immigrants, influenced the creation of modern rap.Save answer

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The main, or central, idea of the passage is that an innovative performance and financial need led Sylvia Robinson to produce the first commercial rap single.

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The main, or central, idea of the passage is An innovative performance and financial need led Sylvia Robinson to produce the first commercial rap single. How does the detail in bold develop the main idea?One night in 1979, singer and record producer Sylvia Robinson encountered a new performance style while visiting a nightclub in Harlem, a neighborhood in New York City. The DJ was rapping—talking in rhyme as he spun his records. The technique had its roots in a performance style called toasting, brought to the city by Jamaican immigrants, in which DJs talked to the audience during instrumental portions of recorded songs. That night in Harlem, as her record label teetered on the brink of bankruptcy, Robinson was inspired to think outside the box; after all, she needed a hit. Could rap become a commercial success? Believing it was worth a try, Robinson assembled a group called the Sugarhill Gang and produced "Rapper's Delight," the first commercial rap single. As Robinson had hoped, it was a smashing success, launching rap into the mainstream.It explains why Robinson was open to taking a risk on rap.It highlights the initial public perception of rap.It identifies the source of financial challenges Robinson was facing.Submit

Fill in the Blank QuestionFill in the blank question.The technique called had far-reaching effects on the development of rap music in the 1970s and 1980s.

Read the text and choose the correct answer.It is said that hip hop music was born (20) ______ a birthday party in the Bronx, NY. This popular genre of music started out as party music in the 1970s. It was played by local DJs in the city neighborhoods.DJs put different pieces of music together. They did this to (21) ______ new sounds. Then, rapping was added. Rapping is a way of talking over the music with words that rhyme. DJs arranged the beats so that rappers could find a rhythm. Then, the rappers would speak in time with the beat. Rappers often (22) ______ lyrics, or the words of a song, about their own lives.At first, hip hop served as a response to disco. Disco was all about wealth and status. Hip hop emphasized reality and community. Hip hop music and culture became helpful to musicians and listeners. It was a way for them to deal (23) ______ the difficult things about city life.Hip hop quickly became an artistic outlet for African Americans. It was a new way to (24) ______ stories. From there, hip hop evolved from just a type of music to an entire lifestyle.Question 20:atoftoonQuestion 21:playgivedomakeQuestion 22:wrotelisteneddancedcomposedQuestion 23:fortoagainstwithQuestion 24:tellspeaksaytalk

Which of the following styles was least influential on the development of rap?Multiple ChoiceMotownBlack radio DJsurban street jiveAfro-Caribbean rhythms

The main reason Alex got into rap music was becausehe wanted a challenge.his brother played rap music.he really liked it from a young age.20What did other people think of Alex when he first started?They were surprised to see someone from their area.They thought he wouldn't be any good.They wanted to make things difficult for him.21What do audiences seem to like most about Alex's music?the fact that he writes his own musicthe fact that he talks about real lifethe fact that he's energetic22What point does Alex make about the way he writes songs?He likes to use difficult words.He likes changing the meaning of words.He likes to say words in different ways.

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