By the late 1920s, most Americans had radios, which brought hillbilly or old-time music and (white) religious country music, called into homes across the country.

In the context of the development of various styles of country music, identify an accurate statement.Multiple choice question.The typical radio program of the 1920s excluded sentimental parlor songs performed by country singers.Spiritual songs, well-loved from camp meeting days, lost its identity as part of the country music family.As rural music evolved across America, a great body of modern country and folk musics appeared, of seemingly endless variety.Dance songs, in which string bands alternated verses with a solo voice, were omitted by popular radio shows.

How did the radio transform America in the 1930s?

Multiple Choice QuestionWhich of the following statements related to hillbilly music in the 1920s is true?Multiple choice question.As commercial radio evolved, hillbilly music proved unpopular and old-fashioned.The audience for hillbilly music continued to expand as city listeners perceived the wealth of beauty and entertainment this style offered.The commercial market required a constant supply of new pieces, and professional hill musicians were unable to adapt to this demand.The trend toward popularity and commercialization gave a significant boost to the old way of preserving hillbilly music.

Select all the ways people experienced music prior to the twentieth century.Multiple select question.On the radioBy singingIn filmsThrough live concerts

Select all that applyWhich of the following were the features provided by discothèques of the late 1960s in America?Multiple select question.country themes combined with the rhythms and instrumentation of rock and rolllight rock music effects with tuneful melodies and protest lyricsmultiple rock bands playing live musichuge rotating mirrored light balls and extreme sonic overload that induced virtual hallucinogenic states