Readthe following passage and answer the questions that follow: 1. When we read, we take journeys—into a newworld, back in time. We re-meet old selves, uncover new places and horizons.Books are often as much about our pasts as about the stories of the booksthemselves. They’re also about the relationships they remind us of, the peoplewe loan them to, the readers who came before us. 2. There are a lot of old children’s books onmy shelves: some old family heirlooms, some bought in used bookstores. Eachtells a story. There’s a late 19th-century illustrated paperback of TheGingerbread Man: the cover is sewn together with thread, the edges aretattered, a child’s signature is scrawled across the first page. The picturesbear riveting poppy reds and mustard yellows. On the bookshelf beside it is a1960s copy of Now We Are Six, a collection of nursery rhymes from A.A. Milnethat used to belong to my cousins. Beside that sits a pop-up version of TheLittle Prince: newer, but already laced with memories. I read it aloud to mylittle brother and fiancé one Christmas eve as we drove home in a snowstorm,navigating perilous roads. The book kept us awake, aware, and cheerful. 3. It’s amazing how theold hardback novels on the shelf blend so beautifully together: their coverswere often moss green, navy, cinnamon brown—the letters gilded in richmetallic. The older typography was often simple and scholarly, traditionalserif fonts with delicate forms. The Victorian era books have greater titleflourishes, more feminine scripts. But if you stack them side-by-side on ashelf, they all blend in lovely harmony. There’s a stately grace to them. 4. Books today have a different character:rather than complementing each other, they often seem to be at war with eachother, a clashing and clamouring of colours, fonts, and styles. There’s often agreat creativity and artistry to their covers, but they can also seem asriotous and mentally-assaulting as a bunch of TV commercials. Their diversity—oneof the beauties of the print book—can also be their greatest aestheticturn-off. 5. Yet e-books are inan entirely separate world: they all have covers, certainly, but they’reglimpsed rarely by the reader, as the book automatically saves its place andopens to the last page you left. The pages’ fonts are particular to the tabletand its owner, not the book: ones you pick and customize according to yourtaste. Even the font size will change according to your preferences. E-booksaren’t things you buy “used”—each is a new digital edition, particular to you,stripped of history. All of these things make the reading experience easier—butdo they make it memorable, endearing? Source: http://humanepursuits.com/the-beauty-of-books/Based on yourunderstanding of the passage, answer the questions given below.1. Complete the sentence by choosing an appropriate option.Reading a book is a journey as………………………….. 1 pointwe see new places through booksour minds travel as we readreading is costlyreading about a place is cheaper than travel2. Based on your understanding of the passage, select the option that lists the correct sequence of thoughts as expressed by the author:- 1. E- Books do not connect to heart.2. The old hard back novels blend together.3. Books are about our pasts.4. The book kept us awake, aware, and cheerful. 1 point4, 2, 1, & 31, 3, 2 & 43, 2, 4, & 13, 4, 2, & 13. State whether the following statement is true or false.The colours, fonts and styles make today’s books complement with each other. 1 pointTRUEFALSE4. E-books aren’t things you buy “used”—each is a new digital edition, particular to you, stripped of history. This sentence suggests the author’s ………………… 1 pointangerlamentcomplaintcompliment
Question
Readthe following passage and answer the questions that follow: 1. When we read, we take journeys—into a newworld, back in time. We re-meet old selves, uncover new places and horizons.Books are often as much about our pasts as about the stories of the booksthemselves. They’re also about the relationships they remind us of, the peoplewe loan them to, the readers who came before us. 2. There are a lot of old children’s books onmy shelves: some old family heirlooms, some bought in used bookstores. Eachtells a story. There’s a late 19th-century illustrated paperback of TheGingerbread Man: the cover is sewn together with thread, the edges aretattered, a child’s signature is scrawled across the first page. The picturesbear riveting poppy reds and mustard yellows. On the bookshelf beside it is a1960s copy of Now We Are Six, a collection of nursery rhymes from A.A. Milnethat used to belong to my cousins. Beside that sits a pop-up version of TheLittle Prince: newer, but already laced with memories. I read it aloud to mylittle brother and fiancé one Christmas eve as we drove home in a snowstorm,navigating perilous roads. The book kept us awake, aware, and cheerful. 3. It’s amazing how theold hardback novels on the shelf blend so beautifully together: their coverswere often moss green, navy, cinnamon brown—the letters gilded in richmetallic. The older typography was often simple and scholarly, traditionalserif fonts with delicate forms. The Victorian era books have greater titleflourishes, more feminine scripts. But if you stack them side-by-side on ashelf, they all blend in lovely harmony. There’s a stately grace to them. 4. Books today have a different character:rather than complementing each other, they often seem to be at war with eachother, a clashing and clamouring of colours, fonts, and styles. There’s often agreat creativity and artistry to their covers, but they can also seem asriotous and mentally-assaulting as a bunch of TV commercials. Their diversity—oneof the beauties of the print book—can also be their greatest aestheticturn-off. 5. Yet e-books are inan entirely separate world: they all have covers, certainly, but they’reglimpsed rarely by the reader, as the book automatically saves its place andopens to the last page you left. The pages’ fonts are particular to the tabletand its owner, not the book: ones you pick and customize according to yourtaste. Even the font size will change according to your preferences. E-booksaren’t things you buy “used”—each is a new digital edition, particular to you,stripped of history. All of these things make the reading experience easier—butdo they make it memorable, endearing? Source: http://humanepursuits.com/the-beauty-of-books/Based on yourunderstanding of the passage, answer the questions given below.1. Complete the sentence by choosing an appropriate option.Reading a book is a journey as………………………….. 1 pointwe see new places through booksour minds travel as we readreading is costlyreading about a place is cheaper than travel2. Based on your understanding of the passage, select the option that lists the correct sequence of thoughts as expressed by the author:- 1. E- Books do not connect to heart.2. The old hard back novels blend together.3. Books are about our pasts.4. The book kept us awake, aware, and cheerful. 1 point4, 2, 1, & 31, 3, 2 & 43, 2, 4, & 13, 4, 2, & 13. State whether the following statement is true or false.The colours, fonts and styles make today’s books complement with each other. 1 pointTRUEFALSE4. E-books aren’t things you buy “used”—each is a new digital edition, particular to you, stripped of history. This sentence suggests the author’s ………………… 1 pointangerlamentcomplaintcompliment
Solution
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Based on the passage, the correct completion of the sentence is: "Reading a book is a journey as our minds travel as we read."
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The correct sequence of thoughts as expressed by the author is: 1, 3, 2, and 4. (Books are about our pasts, The old hardback novels blend together, The book kept us awake, aware, and cheerful, E-books do not connect to the heart.)
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The statement "The colours, fonts, and styles make today's books complement with each other" is false.
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The sentence suggests the author's complaint.
Similar Questions
Diving into the pages of 'A Journey Through Time' proves to be both engaging and thought-provoking. The author masterfully weaves a tale of adventure and history, inviting readers on an expedition across centuries. The narrative is rich with detail, offering a vivid window into past worlds. While the book maintains a brisk pace, it does so without sacrificing depth, striking a fine balance that keeps the pages turning. The protagonist, whose determination and wit charm the reader, faces challenges that test their resolve. Throughout their journey, they encounter a cast of supporting characters, each adding a unique flavour to the story. The development of these relationships adds a layer of complexity and often provides moments of warmth and humour amidst trials. Each character is finely drawn, making it easy for the reader to form a connection. What sets this book apart is its ability to blend fact with fiction seamlessly. The historical elements provide a sturdy foundation on which the fictional narrative is built, a testament to the author's research skills. The intertwining of the two sends the clear message that history can be as thrilling as any modern-day adventure. This approach makes the book a fine pick for history buffs and adventure seekers alike. The book is not without its faults, though. At times, the plot twists can feel a bit predictable, and some might find certain passages dragging slightly. However, these moments are few and are outweighed by the story's many strengths. The language is accessible yet rich, and while the vocabulary is not overly challenging, it is by no means simplistic. As the story concludes, the reader is left with a sense of satisfaction as well as a newfound appreciation for the past. The ending ties up loose ends while still leaving room for the imagination, a sign of a well-crafted narrative. This book is recommended for those looking for a tale that combines excitement with enlightenment, all within a historical framework. Overall, 'A Journey Through Time' is a commendable piece that promises to entertain and educate, holding a broad appeal that is likely to resonate with a diverse readership. 7. How does the book conclude, according to the text? A. With an open-ended finale. B. By leaving the majority of questions unanswered. C. With a cliff-hanger for a sequel. D. By detailing every historical event mentioned. A B C D Marks: 1 6. What criticism is mentioned regarding the plot of 'A Journey Through Time'? A. The plot is too complex. B. The plot twists can be predictable. C. There is no historical accuracy. D. The protagonist is not relatable. A B C D Marks: 1 5. What is the impact of the historical elements in the book? A. They make the plot predictable. B. They overshadow the fictional narrative. C. They establish a foundation for the fiction. D. They make the book suitable for children. 4. How does 'A Journey Through Time' ensure the reader forms a connection with its characters
From a child I was fond of reading, and all the little money that came into my hands was ever laid out in books. Pleased with the Pilgrim's Progress, my first collection was of John Bunyan's works in separate little volumes. I afterward sold them to enable me to buy R. Burton's Historical Collections; they were small chapmen's books, and cheap, 40 or 50 in all. My father's little library consisted chiefly of books in polemic divinity, most of which I read, and have since often regretted that, at a time when I had such a thirst for knowledge, more proper books had not fallen in my way since it was now resolved I should not be a clergyman. Plutarch's Lives there was in which I read abundantly, and I still think that time spent to great advantage. There was also a book of De Foe's, called an Essay on Projects, and another of Dr. Mather's, called Essays to do Good, which perhaps gave me a turn of thinking that had an influence on some of the principal future events of my life.This bookish inclination at length determined my father to make me a printer, though he had already one son (James) of that profession. In 1717 my brother James returned from England with a press and letters to set up his business in Boston. I liked it much better than that of my father, but still had a hankering for the sea. To prevent the apprehended effect of such an inclination, my father was impatient to have me bound to my brother. I stood out some time, but at last was persuaded, and signed the indentures when I was yet but twelve years old. I was to serve as an apprentice till I was twenty-one years of age, only I was to be allowed journeyman's wages during the last year. In a little time I made great proficiency in the business, and became a useful hand to my brother. I now had access to better books. An acquaintance with the apprentices of booksellers enabled me sometimes to borrow a small one, which I was careful to return soon and clean. Often I sat up in my room reading the greatest part of the night, when the book was borrowed in the evening and to be returned early in the morning, lest it should be missed or wanted.Which aspect of life in early America is illustrated BEST by this excerpt?ResponsesA The goal of most Americans was to be healthy.The goal of most Americans was to be healthy.B Religion was the main interest and study of Americans in the colonies.Religion was the main interest and study of Americans in the colonies.C Most Americans had to work for a living, yet many wanted to be educated.Most Americans had to work for a living, yet many wanted to be educated.D The acquisition of wealth was more important than any other activity in life.
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