This variety features a textured surface, characterized by subtle bumps and irregularities. It holds a special appeal for watercolor practitioners. The minuscule indentations in the paper encourage the accumulation of pigment, facilitating the creation of rich, saturated washes. Conversely, in areas of dry application, these same indentations leave behind delicate specks of untouched white, enhancing the overall visual impact and contributing to the distinctive charm of the artwork. *1 pointLaid PaperMedium PaperRough Grained PaperWove paper

Sir. Rostum used this kind of paper in his two-dimensional art. It has the feature of a ‘bumpy’ surface, and it is good in watercolor. The tiny pit of this paper allows paint to pool heavy wash while in dry wash, it leaves tiny dots of white that contribute to that characteristic effect of the whole work.

It is crafted upon an intricately assembled wire 'cloth,' akin to a finely woven sieve. The resultant surface boasts a flawless, velvety texture devoid of any discernible irregularities. This particular quality renders it optimal for rendering intricate details with ink and achieving lifelike effects in pencil drawings*1 pointMedium PaperLaid PaperWove paperRough Grained Paper

Which printmaking technique creates effects that look like ink or watercolor washes? A. lithography B. mezzotint C. drypoint D. aquatint

Paper processed with pattern of parallel lines created by wires of the mold used for production.*1 pointLaid PaperWove paperRough Grained PaperMedium Paper

The change in colour of the moist litmus paper in the given set up is due to