excerpt from Telling All Americans’ Stories: Introduction to American Latino Heritageby National Park ServiceThe movement of people, ideas, beliefs, and cultures across America’s shifting borders and the consequences of these migrations are central to the American story. Diego Rivera—a prominent leader of the 1920s Mexican Mural Movement—produced some of his most famous work in American cities. As an outspoken member of the Mexican Communist Party, Rivera invited criticism during his travels, but even his most controversial works resonated with American audiences during the Great Depression. His Detroit Industry Murals—a National Historic Landmark—celebrated American industry and Detroit’s factory workers’ strength and dignity.Latino/a Americans have been some of the most vocal and successful advocates for civil rights in the United States. During the 1960s, labor activists Dolores Huerta and Cesar Chavez formed the United Farm Workers of America, a joint Latino/a and Filipino organization that created the first permanent agricultural labor union in the United States. Along with the efforts of Filipino activists like Larry Itliong, the UFW established headquarters at Forty Acres in Delano. California’s farm workers successfully executed the Delano grape strike and boycott, which drew national attention to unsafe working conditions and resulted in a 1970 settlement with California's entire table grape industry.4Select the correct answer.Malik is considering this source for his research project. How could he best summarize the information in the source? A. Latino/a Americans have been active in the establishment of civil rights in the United States. B. Latino/a Americans are often portrayed in the Mexican Mural Movement. C. As advocates for civil rights in the United States, Latino/s encouraged safer working conditions. D. The shifting borders of America created opportunity for civil rights act

Diego Rivera’s art reflected his communist ideologies. Which mural was destroyed because Rivera included Lenin, the Communist leader of the Soviet Union, in the mural? A. The History of Mexico B. Dream of a Sunday afternoon in the Alameda C. Man at the Crossroads Looking with Hope and Light Vision to the Choosing of a New and Better Future

A member of mid-20th century Mexican muralism’s  ‘Big Three,’ Diego ------- was known for painting large frescos that decorated public buildings across Mexico and the United States.Which choice completes the text so that it conforms to the conventions of Standard English?Rivera;eliminateRivera. eliminateRiveraeliminate

Mexican photographer Manuel Álvarez Bravo was a self-taught artist who employed his camera to capture banal, everyday moments through the lenses of surrealism and irony. He engaged with subjects that were associated with stereotypical views of Mexico, such as Mexican folk art, indigenous dress, and the streets of Mexico City, but he captured elements that went against expectations of what those subjects “should” look like. His photographs resisted romanticization and sentimental elements and instead showed everyday people in everyday situations. Which choice best describes Álvarez Bravo’s approach to art, as presented in the text? He drew from the work of surrealist artists to show the absurdism of the lives of famous Mexicans. eliminateHe worked to counteract the conventional representations of Mexico by showing what life in Mexico was really like. eliminateHe captured deeply personal images of his daily life that mimicked and satirized Mexican stereotypes.eliminateHe wanted to share romanticized images of traditional Mexican life.

What topics and themes did the artist David Alfaro Siqueiros focus his paintings on?Multiple choice question.The Mexican RevolutionHis experience in collegeTurbulent emotions such as guilt and angerBeauty and peace in nature

Complete the statement that describes a group of Americans in the 1920s that became disillusioned with the country’s conservatism, repression, and materialism.The – frequently traveled to – in search of a place outside of the United States that appreciated art, culture, and freedom of expression.Lost GenerationCanadaParisBeat Generation