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In the late 1940s, most American crime films could be divided into two distinctive categories, with two different points of view. The first category was film noir, which focused on the perspective of the criminal, the outsider, the trapped antihero, or the private investigator; the second was labeled procedural drama, which shifted the perspective to the professional police force, the FBI, and other respectable institutions charged with maintaining public order (Ousborne 13). Which of the following is the best paraphrase of this passage?Multiple choice question.Both film noir and procedural dramas flourished as the two main types of crime film in the decade after World War II. Movies In the former category presented the stories—and viewpoints—of hunted criminals and struggling antiheroes. In contrast, movies in the latter category highlighted respectable, impersonal public institutions that maintained law and order (Ousborne 13).In the years after World War II, many US movies focused on crime could be seen as part of two different types, with different perspectives. One was called film noir, which presented stories from the view of criminals, outsiders, antiheroes, and private investigators. The other was called procedural dramas, which changed the focus to police departments, government law enforcement agencies, and other organizations whose purpose was to uphold law and order.In the years after World War II, crime films usually fit into two general categories: film noir or the procedural drama.After World War II, “many US movies focused on crime could be seen as part of two different types, with different perspective. One was called film noir, which presented stories from the view of criminals, outsiders, antiheroes, and private investigators. The other was called procedural dramas, which changed the focus to police departments, government law enforcement agencies, and other organizations whose purpose was to uphold law and order” (Ousborne 13).

Question

In the late 1940s, most American crime films could be divided into two distinctive categories, with two different points of view. The first category was film noir, which focused on the perspective of the criminal, the outsider, the trapped antihero, or the private investigator; the second was labeled procedural drama, which shifted the perspective to the professional police force, the FBI, and other respectable institutions charged with maintaining public order (Ousborne 13). Which of the following is the best paraphrase of this passage?Multiple choice question.Both film noir and procedural dramas flourished as the two main types of crime film in the decade after World War II. Movies In the former category presented the stories—and viewpoints—of hunted criminals and struggling antiheroes. In contrast, movies in the latter category highlighted respectable, impersonal public institutions that maintained law and order (Ousborne 13).In the years after World War II, many US movies focused on crime could be seen as part of two different types, with different perspectives. One was called film noir, which presented stories from the view of criminals, outsiders, antiheroes, and private investigators. The other was called procedural dramas, which changed the focus to police departments, government law enforcement agencies, and other organizations whose purpose was to uphold law and order.In the years after World War II, crime films usually fit into two general categories: film noir or the procedural drama.After World War II, “many US movies focused on crime could be seen as part of two different types, with different perspective. One was called film noir, which presented stories from the view of criminals, outsiders, antiheroes, and private investigators. The other was called procedural dramas, which changed the focus to police departments, government law enforcement agencies, and other organizations whose purpose was to uphold law and order” (Ousborne 13).

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In the years after World War II, many US movies focused on crime could be seen as part of two different types, with different perspectives. One was called film noir, which presented stories from the view of criminals, outsiders, antiheroes, and private investigators. The other was called procedural dramas, which changed the focus to police departments, government law enforcement agencies, and other organizations whose purpose was to uphold law and order.

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