Scholars cite Mr. President, the 1946 novel by Guatemalan author Miguel Ángel Asturias, as a foundational text of magical realism, the Latin American style of fiction in which antirealistic plot devices—often borrowed from the spiritual and narrative traditions of Indigenous and colonial societies in the Americas—are deployed in an otherwise realistic mode of representation typical of the modern novel. This style has exerted a decisive influence on authors around the world, including Orhan Pamuk, whose 2001 novel My Name Is Red resembles classic magical realist novels in its juxtaposition of literary realism with folklore— namely, that of Turkey.12 Mark For ReviewWhich quotation from a literary scholar would most directly support the claim in the underlined portion of the text?A) “While My Name Is Red alternates between realistic and antirealistic modes of representation, details suggesting the influence of Turkish folklore nevertheless occur throughout the novel.”B) “Although Turkish folklore clearly informs the style and occasionally antirealistic plot of My Name Is Red, the novel also shows the inarguable influence of the magical realist tradition of Latin America.”C) “Like many works in the Latin American magical realist tradition, My Name Is Red is indebted to antirealistic elements in the folklore of Turkey.”D) “The logic of the realistic plot of My Name Is Red is repeatedly and productively disrupted by the presence of imagery and situations drawn from Turkish folklore.”
Question
Scholars cite Mr. President, the 1946 novel by Guatemalan author Miguel Ángel Asturias, as a foundational text of magical realism, the Latin American style of fiction in which antirealistic plot devices—often borrowed from the spiritual and narrative traditions of Indigenous and colonial societies in the Americas—are deployed in an otherwise realistic mode of representation typical of the modern novel. This style has exerted a decisive influence on authors around the world, including Orhan Pamuk, whose 2001 novel My Name Is Red resembles classic magical realist novels in its juxtaposition of literary realism with folklore— namely, that of Turkey.12 Mark For ReviewWhich quotation from a literary scholar would most directly support the claim in the underlined portion of the text?A) “While My Name Is Red alternates between realistic and antirealistic modes of representation, details suggesting the influence of Turkish folklore nevertheless occur throughout the novel.”B) “Although Turkish folklore clearly informs the style and occasionally antirealistic plot of My Name Is Red, the novel also shows the inarguable influence of the magical realist tradition of Latin America.”C) “Like many works in the Latin American magical realist tradition, My Name Is Red is indebted to antirealistic elements in the folklore of Turkey.”D) “The logic of the realistic plot of My Name Is Red is repeatedly and productively disrupted by the presence of imagery and situations drawn from Turkish folklore.”
Solution
The quotation that would most directly support the claim in the underlined portion of the text is B) “Although Turkish folklore clearly informs the style and occasionally antirealistic plot of My Name Is Red, the novel also shows the inarguable influence of the magical realist tradition of Latin America.” This quote directly mentions the influence of the magical realist tradition of Latin America on the novel My Name Is Red, which aligns with the claim made in the text.
Similar Questions
I’m working on a book on reading narratives and art in some world traditions—Pamuk’s My Name is Red, Dia Al-Azzawi’s poetry Dafatirs, among others. Narratives and poetry that have art as a major component of their structure and message have fascinated critics for centuries, and my contribution to this tradition would be writing my own narrative interpretations of art works. Still working on developing ideas, but I have sent out the book proposal to some publishers.
What does the use of magical realism in Latin American literature help explain about Latin American culture?A.That the disparity between the upper and lower classes is too great to overcomeB.That European readers are unable to understand the complexity of Latin American societiesC.That neither logic nor superstition can fully explain cultural traditionsD.That reasoning and scientific thought can answer all cultural questions
How was the term magical realism first used?A.By an editor to describe stories written by Latin American authorsB.By a newspaper reporter to describe authors who wrote about the supernaturalC.By an author to describe his own stories that explored the use of magicD.By a scholar to describe paintings that contained dreamlike imagesSUBMITarrow_backPREVIOUS
What can focusing on the realistic, ordinary elements of a story help an author create for readers?A.Cultural identifyB.Magical realismC.Suspension of disbeliefD.Parallel structureSUBMITarrow_backPREVIOUS
In magical realist literature, where can the reader find the central theme of a story?A.In the struggle between reality and the supernaturalB.In the struggle between good and evilC.In the struggle between past and futureD.In the struggle between humanity and technology
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