In 1932, as national record companies actively promoted commercial recordings of regional music, a folklorist named Blank______ traveled to Louisiana, where he recorded genuine traditional Cajun music for the Library of Congress.Multiple choice question.Hank Williams, Sr.John LomaxJimmie RodgersGene Autry

Joan Baez's recordings of the Carter Family's songs, introduced them to a new audience and also to musicians who Blank______.Multiple choice question.composed original blues songs modeled on country musicpresented the rhythms and the flavor of ragtime modeled on jazzpresented the songs of Tin Pan Alley modeled on rock and rollcomposed original folk songs modeled on country music

A feature of cool jazz was that it reflected the influence of Blank______.Multiple choice question.Native American folk musicEuropean concert musicAfrican folk musicAmerican classical music

Multiple Choice QuestionIdentify an accurate statement about Cajun music.Multiple choice question.Cajun singers addressed in the frankest terms harsh subjects relevant to the experience of returning servicemen and uprooted or separated families.Bill Monroe blended old-time string band music with the holler of the blues and the improvisation of jazz to create Cajun music.Cajun music, a recent accordion-based music distinguished by Caribbean and Latin rhythms, is the music of southern Louisiana's Creoles.The sound of Cajun music is prevailingly lighthearted, with dance rhythms and catchy melodies dominated by raucous sound of the accordion.

Multiple Choice QuestionIn the 1930s and 1940s, Bill Monroe blended old-time string band music with the holler of the blues and the improvisation of jazz to create a music called Blank______, a virtuosic instrumental style rooted in mountain music such as the Carter Family performed.Multiple choice question.honky-tonkswamp popzydecobluegrass

Multiple Choice QuestionAn accurate statement about Lester Flatt and Earl Scruggs is that Blank______.Multiple choice question.they developed the Nashville sound by toning down rhythm sections and adding background voices to the traditional country musictheir performances blended blues, gospel, and mountain music to produce their own brand of honky-tonkthey traveled to Louisiana, where they recorded genuine traditional Cajun music for the Library of Congressthey left Bill Monroe's Blue Grass Boys in 1948 to form their own group and developed a distinctive style of bluegrass