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Which excerpt represents the call-and-response format derived from jazz music?Deferredby Langston Hughes (excerpt)Maybe now I can have that white enamel stoveI dreamed about when we first fell in loveeighteen years ago.But you know,rooming and everythingthen kids,cold-water flat and all that.But now my daughter’s marriedAnd my boy's most grown--quit school to work--and where we're movingthere ain't no stove--Maybe I can buy that white enamel stove! Islandby Langston Hughes (excerpt)Black and white,Gold and brown--Chocolate-custardPie of a town. Dream within a dream,Our dream deferred. Good morning, daddy!Ain't you heard?Harlemby Langston Huges (excerpt)Does it dry uplike a raisin in the sun?Or fester like a sore—And then run?Does it stink like rotten meat?Or crust and sugar over—like a syrupy sweet?

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Which excerpt represents the call-and-response format derived from jazz music?Deferredby Langston Hughes (excerpt)Maybe now I can have that white enamel stoveI dreamed about when we first fell in loveeighteen years ago.But you know,rooming and everythingthen kids,cold-water flat and all that.But now my daughter’s marriedAnd my boy's most grown--quit school to work--and where we're movingthere ain't no stove--Maybe I can buy that white enamel stove! Islandby Langston Hughes (excerpt)Black and white,Gold and brown--Chocolate-custardPie of a town. Dream within a dream,Our dream deferred. Good morning, daddy!Ain't you heard?Harlemby Langston Huges (excerpt)Does it dry uplike a raisin in the sun?Or fester like a sore—And then run?Does it stink like rotten meat?Or crust and sugar over—like a syrupy sweet?

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