Which of the following statements is FALSE about the tone row in atonal music?Question 6Select one:A.After the manipulation of inversion, the pitch in the tone row is randomized.B.The tone row can be manipulated through inversion, retrograde, and retrograde-inversion.C.The twelve-tone technique was developed by composer Arnold Schoenberg.D.After the manipulation of retrograde, the ordering of the pitch in the tone row is reversed.E.The tone row is a specific ordering of all twelve pitch classes in the chromatic scale.

What term is used to refer to the ordering of the twelve chromatic pitches in an atonal composition?Multiple choice question.DuodecadronEight-tone scaleRagaTwelve-tone row

Select all the ways a twelve-tone row can be manipulated to build a composition.Multiple select question.RetrogradeInversionRetrograde inversionRhythmic variance

Fig. 1 shows that in Schoenberg’s compositions, he explores:Question 1Select one:a.dodecaphonyb.all of the abovec.serialism of pitchesd.atonalitye.inversion and retrograde of a basic set of 12 tones

The systematic method developed by Arnold Schoenberg in order to organize atonal music is known as the ______ system.Multiple choice question.twelve-tonesystematicwhole-toneDoppler

The four sentences (labelled 1, 2, 3, 4) given below, when properly sequenced would yield a coherent paragraph. Decide on the proper sequence of the order of the sentences and key in the sequence of the four numbers as your answer.1. To the uninitiated listener, atonal music can sound like chaotic, random noise.2. Atonality is a condition of music in which the constructs of the music do not ‘live’ within the confines of a particular key signature, scale, or mode.3. After you realize the amount of knowledge, skill, and technical expertise required to compose or perform it, your tune may change, so to speak.4. However, atonality is one of the most important movements in 20th-century music.Please select your Answer.2, 1, 4, 32, 4, 3, 12, 3, 1, 42, 1, 3, 4