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Which of these examples, taken from various novels, contains a metaphor?I looked with timorous joy towards a stately house: I saw a blackened ruin.Although a fog rolled over the city in the small hours, the early part of the night was cloudless, and the lane, which the maid’s window overlooked, was brilliantly lit by the full moon.... the houses opposite were mere phantoms.

Question

Which of these examples, taken from various novels, contains a metaphor?I looked with timorous joy towards a stately house: I saw a blackened ruin.Although a fog rolled over the city in the small hours, the early part of the night was cloudless, and the lane, which the maid’s window overlooked, was brilliantly lit by the full moon.... the houses opposite were mere phantoms.

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Solution

The example that contains a metaphor is: "... the houses opposite were mere phantoms." In this sentence, the houses are being compared to phantoms, not literally but figuratively, to perhaps convey a sense of eeriness or abandonment. This is a metaphor because it is a direct comparison that does not use "like" or "as", which are characteristic of similes.

Similar Questions

Which of the following is an example of a metaphor used in the passage?(a) "The tomb is so delicate and ethereal it could almost be blown away with a breath."(b) "The astonishing palette of colours that still stands out like a small aesthetic firework display."(c) "Meticulous almost hypnotic attention to detail."(d) "He remained firmly ensconced in his old position in Delhi."

During a dull, dark, and soundless day in autumn, when the clouds hung oppressively low, I had been passing alone, on horseback, through a singularly dreary tract of country. At length I found myself, as the shades of the evening drew on, within view of the melancholy House of Usher. I know not how it was but, with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit. I looked upon the scene before me; upon the mere house, and the simple landscape—upon the bleak walls—upon the vacant eye-like windows, upon a few rank marsh plants, and upon a few white trunks of decayed trees with an utter depression of soul which I can compare to no earthly sensation. What was it, I paused to think, what was it that so unnerved me about the House of Usher? It was possible, I reflected, that a mere different arrangement of the scene, of the details of the picture, would be sufficient to modify, or perhaps to annihilate its capacity for sorrowful impression. Then, acting upon this idea, I reined my horse to the precipitous brink of a black and lurid lake near the dwelling, and gazed down upon the warped reflection of the marsh plants, and the ghastly tree-stems, and the vacant eye-like windows.     Nevertheless, in this mansion of gloom I now proposed to take a sojourn of several weeks. Its proprietor, Roderick Usher, had been one of my friends in boyhood. Although, many years had passed since we last met. A letter, however, had reached me in a distant part of the country. A letter from him, which had required nothing less than a personal reply. Usher's letter spoke of illness,of a mental disorder which oppressed him and of an earnest desire to see me, as his best and indeed his only personal friend. His desire being, that through my cheerfulness, I could help to alleviate his malady. It was the way in which it was said, it was the heart that went with his request, which allowed me no room for hesitation; and I accordingly obeyed forthwith.3Which detail from the passage develops the theme that true friends can always be counted upon in times of need? A. A letter, however, had reached me in a distant part of the country. B. Nevertheless, in this mansion of gloom I now proposed to take a sojourn of several weeks. C. Its proprietor, Roderick Usher, had been one of my friends in boyhood. D. Usher's letter spoke of illness,of a mental disorder which oppressed him and of an earnest desire to see me . . .

Which of these could be examples of themes in a novel?

Read the following excerpt from "The Pedestrian" by Ray Bradbury:And on his way he would see the cottages and homes with their dark windows, and it was not unequal to walking through a graveyard where only the faintest glimmers of firefly light appeared in flickers behind the windows. Sudden gray phantoms seemed to manifest upon inner room walls where a curtain was still undrawn against the night, or there were whisperings and murmurs where a window in a tomb-like building was still open.Which statement best explains how the setting affects the meaning of the story?A.The comparison of the street to a graveyard suggests that something is terribly wrong with society.B.The water and wave motif conveys the queasy feeling the narrator has when walking alone at night.C.The firefly light conveys a feeling of nostalgia for long summer evenings spent with family.D.The phrase "whispering and murmurs" suggests that the main character has fits of madness.SUBMITarrow_backPREVIOUS

Select the correct answer.What word best describes the tone of this excerpt from "The Fall of the House of Usher" by Edgar Allan Poe?I looked upon the scene before me—upon the mere house, and the simple landscape features of the domain—upon the bleak walls—upon the vacant eye-like windows—upon a few rank sedges—and upon a few white trunks of decayed trees—with an utter depression of soul which I can compare to no earthly sensation more properly than to the after-dream of the reveller upon opium—the bitter lapse into everyday life—the hideous dropping off of the veil. There was an iciness, a sinking, a sickening of the heart—an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime. What was it—I paused to think—what was it that so unnerved me in the contemplation of the House of Usher? It was a mystery all insoluble; nor could I grapple with the shadowy fancies that crowded upon me as I pondered. I was forced to fall back upon the unsatisfactory conclusion, that while, beyond doubt, there are combinations of very simple natural objects which have the power of thus affecting us, still the analysis of this power lies among considerations beyond our depth. It was possible, I reflected, that a mere different arrangement of the particulars of the scene, of the details of the picture, would be sufficient to modify, or perhaps to annihilate its capacity for sorrowful impression; and, acting upon this idea, I reined my horse to the precipitous brink of a black and lurid tarn that lay in unruffled lustre by the dwelling, and gazed down—but with a shudder even more thrilling than before—upon the remodelled and inverted images of the gray sedge, and the ghastly tree-stems, and the vacant and eye-like windows. A. admiration B. terror C. hope D. discovery E. loss

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