1 The grandparents had a great deal of influence in the family circle, especially on the children during their formative years. No real Southerner has ever been able to consider very seriously the highly touted ancestor worship of the Chinese. It is watery by comparison. Teethed on "what we had before the War," weaned on the accomplishments of successful kin, nurtured on the pronouncement of dominant family traits, and lullabied on the recitation of genealogical alliances of several generations, no Southerner could ever mature without a profound sense of family. This spilled over into awareness about other families in the county, and one learned what to expect from different tribes in both looks and actions.2 This knowledge came largely from the grandparents and usually in the long, conversational family evenings before television, radio, or accessible automobiles. In the winters the gathering was around the crackling fire in the grandmother's room, in the summers on the wide veranda outside her bedroom door. The grandfather was the raconteur, the grandmother the critic, prompter and censor. Before they were five, the children knew that "Blood will tell," and "Pretty is as pretty does," which they learned from the grandmother. From the grandfather the boy learned "You can't make poundcake out of manure," a comforting maxim indeed when one is forced to assume responsibility for the actions of others, which happens frequently to a farmer.QuestionBased on the account of the narrator and the provided anecdotes involving the other characters, a primary theme of this passage isResponsesA colorful sayings.colorful sayings.B kin, family, and blood.kin, family, and blood.C the Chinese way of life.the Chinese way of life.D the difficulty of farming life.
Question
1 The grandparents had a great deal of influence in the family circle, especially on the children during their formative years. No real Southerner has ever been able to consider very seriously the highly touted ancestor worship of the Chinese. It is watery by comparison. Teethed on "what we had before the War," weaned on the accomplishments of successful kin, nurtured on the pronouncement of dominant family traits, and lullabied on the recitation of genealogical alliances of several generations, no Southerner could ever mature without a profound sense of family. This spilled over into awareness about other families in the county, and one learned what to expect from different tribes in both looks and actions.2 This knowledge came largely from the grandparents and usually in the long, conversational family evenings before television, radio, or accessible automobiles. In the winters the gathering was around the crackling fire in the grandmother's room, in the summers on the wide veranda outside her bedroom door. The grandfather was the raconteur, the grandmother the critic, prompter and censor. Before they were five, the children knew that "Blood will tell," and "Pretty is as pretty does," which they learned from the grandmother. From the grandfather the boy learned "You can't make poundcake out of manure," a comforting maxim indeed when one is forced to assume responsibility for the actions of others, which happens frequently to a farmer.QuestionBased on the account of the narrator and the provided anecdotes involving the other characters, a primary theme of this passage isResponsesA colorful sayings.colorful sayings.B kin, family, and blood.kin, family, and blood.C the Chinese way of life.the Chinese way of life.D the difficulty of farming life.
Solution
The primary theme of this passage, based on the account of the narrator and the provided anecdotes involving the other characters, is B. kin, family, and blood. The passage extensively discusses the influence of grandparents on the upbringing of children, the importance of family history and traits, and the knowledge passed down through generations. These elements all point to the theme of kin, family, and blood.
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