Multiple Choice QuestionIn 1949, pianist-arranger Stan Kenton (1912–1979) led a twenty-piece orchestra in a jazz concert at Carnegie Hall, where his tightly organized and beautifully balanced ensemble played with elegance and precision. Stan Kenton named this music Blank______.Multiple choice question.progressive jazzprogressive bluesorthodox jazzalternative blues

Multiple Choice QuestionDuke Ellington transformed the sounds of instruments, sometimes effectively obscuring their identification, by Blank______.Multiple choice question.juxtaposing instruments in nontraditional combinationsusing only one particular limit of an instrument's rangealways using a clarinet lead supported by four saxophonessuppressing the talents and skills of black musicians

Multiple Choice QuestionBlank______, or the blending of jazz and various other musics, seemed particularly characteristic of the 1980s.Multiple choice question.Cool jazzSoul jazzWest Coast jazzCrossover jazz

Multiple Choice QuestionIn the 1930s and 1940s, Bill Monroe blended old-time string band music with the holler of the blues and the improvisation of jazz to create a music called Blank______, a virtuosic instrumental style rooted in mountain music such as the Carter Family performed.Multiple choice question.honky-tonkswamp popzydecobluegrass

Multiple Choice QuestionIdentify an accurate statement about Joni Mitchell.Multiple choice question.She introduced audiences to musicians who composed original folk songs.She resisted dominance by customary chord progressions or lyrics.She mostly performed songs composed or handed down by others.She participated prominently in the urban folk revival movement.

Multiple Choice QuestionMusic publishing had become an important business by the latter part of the nineteenth century, producing quantities of sheet music appropriate for Blank______.Multiple choice question.the performer who could only play on the black keys of a keyboard instrumentthe amateur performer that consisted mostly of simple vocal and piano piecesthe performer who could only play on the white keys of a keyboard instrumentthe puritan artists that consisted mostly of psalm tunes and spiritual worship in church